The Uttarakhand High Court has allowed the Char Dham Yatra to pilgrims who’re fully vaccinated and are carrying theit Covid 19 negative certificates. Only those people who pass the criteria can visit the shrines in Kedarnath, Badrinath, Gangotri and Yamunotri. The bench headed by Chief justice R S Chauhan and justice Alok Kumar Verma gave the judgement after an application was moved by the state government to allow the pilgrimage. Local businessmen had also approached the HC for the same.
The government has said only 800 pilgrims will be allowed in Kedarnath, 600 in Gangotri and 400 to Yamunotri will be allowed in a day due to restrictions and constrains, reported the Time of India. The HC had earlier stayed the yatra citing threat of the third wave, and the division bench had termed the state’s move to allow the pilgrimage as against the warnings of medical experts.
TOP | TRENDING
FACEBOOK’S TOTAL USER BASE DECLINES FOR THE FIRST TIME IN 17 YEARS: REPORT
Facebook has seen a number of controversies in recent years. But now, the company which was recently brought under new parent Meta, is witnessing a decline in its user base. This has happened for the first time in Facebook’s 17 years of existence that its user base has actually gone down.
SUBTLE HEART RENDERING COMEDY, SUFFICIENTLY DRAMATIC, GRIPPING CHAOS AND BITTERSWEET HUMOUR; A HIGH END COCKTAIL OF SCINTILLATING ENSEMBLE CAST AND CHARACTERS, WRITER- DIRECTOR CHIDAMBARAM ENDURES ALL STORMS TO DELIVER A WINNER
Ensemble casts have a unique place in Malayalam cinema. For decades, a good family drama in Malayalam has always been a good mix of pain, humour, characters, gripping plots and happy endings. Writer- Director Chidambaram delivers this fine balance in his debut film Jaaneman and creates a new age ensemble cinema for the routine film goer.
SATIRE DRIVEN, NON-MELODRAMATIC, FOCUSED, AND METICULOUSLY SCRIPTED; THIS MOVIE IS A WINNER THROUGH AND THROUGH!
How can one dislike a film that entertains throughout? In english, this movie title means ‘The engagement is on monday’. There is no surprise in the plot line; all of it is revealed in the title. The story is about the making of an engagement and the joys and troubles involved. Senna Hegde pulls off a regular story with exceptional craft. The highlight of the film is its climax. The climax offers no pomp and show, no tearful departures, no melodramatic breakdowns, no revolutions, no rebellions, no glamour, not even the promised engagement.This film is a must watch not because it is extraordinary, but because it is very ordinary, and the brilliance is entirely in the balance the filmmaker maintained throughout.
KURUP, THE MOVIE; DULQUER’S ATTEMPT TO CONQUER CINEMASCOPE FILMMAKING LEAVES AUDIENCES EMOTIONLESS
THIS PERIOD MOVIE COMES WITH COMPLETE GRANDEUR; GRAND SETS, STYLE, A GOOD CAST, LEAVES NO STONE UNTURNED IN PRODUCTION, BUT FAILS IN ITS EDITING AND COMPOSITION. DQ DOES NOT BECOME KURUP, KURUP BECOMES DQ.
Dulquer remains Dulquer, we recognize him and his methods in all his movies and he repeats himself once again. The actor lacks gravitas in his dialogue delivery and intonation. Can style and glamour make up for lack of method acting in a role like this? Did we expect more?