KERALA ASSEMBLY; UDF WALKS OUT OVER PLUS ONE ADMISSION SHORTAGE

The main Opposition in the Kerala Assembly, the United Democratic Front walked out on Monday from the assembly pointing to the “failure” of the LDF government to ensure adequate number of seats for SSLC pass outs for Plus One. V D Satheeshan, the Leader of opposition pointed out that a total of 4,19,653 students have qualified for admissions into the 11th class but the high number of aspirants and relatively low number of seats will force students to avail seats in private schools that demand high fees that will not be economical.

However, V Sivankutty has promised to allot more seats in private schools and suspended more sanctioning of seats in Government-aided schools. The house became a space for tit for tat reply between Mr. Satheeshan and the Chief Minister Pinarayi Vijayan when the Opposition Leader question Vijayan’s wisdom over appointing Mr. Sivankutty as the Education Minister. For which the Chief Minister replied, “I did not ask who appointed Mr. Satheeshan as Leader of Opposition”.

 

Editor's Picks

JAANEMAN| MALAYALAM MOVIE |REVIEW|

SUBTLE HEART RENDERING COMEDY, SUFFICIENTLY DRAMATIC, GRIPPING CHAOS AND BITTERSWEET HUMOUR; A HIGH END COCKTAIL OF SCINTILLATING ENSEMBLE CAST AND CHARACTERS, WRITER- DIRECTOR CHIDAMBARAM ENDURES ALL STORMS TO DELIVER A WINNER

Ensemble casts have a unique place in Malayalam cinema.  For decades, a good family drama in Malayalam has always been a good mix of pain, humour, characters, gripping plots and happy endings.  Writer- Director Chidambaram delivers this fine balance in his debut film Jaaneman and creates a new age ensemble cinema for the routine film goer.

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 THINKALAZHCHA NISHCHAYAM | MALAYALAM CINEMA REVIEW |

SATIRE DRIVEN, NON-MELODRAMATIC, FOCUSED, AND METICULOUSLY SCRIPTED; THIS MOVIE IS A WINNER THROUGH AND THROUGH!

How can one dislike a film that entertains throughout? In english, this movie title means ‘The engagement is on monday’.  There is no surprise in the plot line; all of it is revealed in the title.  The story is about the making of an engagement and the joys and troubles involved.  Senna Hegde pulls off a regular story with exceptional craft. The highlight of the film is its climax.  The climax offers no pomp and show, no tearful departures, no melodramatic breakdowns, no revolutions, no rebellions, no glamour, not even the promised engagement.This film is a must watch not because it is extraordinary, but because it is very ordinary, and the brilliance is entirely in the balance the filmmaker maintained throughout.

 

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KURUP|MALAYALAM MOVIE| REVIEW|
KURUP, THE MOVIE; DULQUER’S ATTEMPT TO CONQUER CINEMASCOPE FILMMAKING LEAVES AUDIENCES EMOTIONLESS

THIS PERIOD MOVIE COMES WITH COMPLETE GRANDEUR; GRAND SETS, STYLE, A GOOD CAST, LEAVES NO STONE UNTURNED IN PRODUCTION, BUT FAILS IN ITS EDITING AND COMPOSITION. DQ DOES NOT BECOME KURUP, KURUP BECOMES DQ. 

Dulquer remains Dulquer, we recognize him and his methods in all his movies and he repeats himself once again.  The actor lacks gravitas in his dialogue delivery and intonation.  Can style and glamour make up for lack of method acting in a role like this?  Did we expect more?

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