REACHING NEW HEIGHTS: PM MODI HAILS INDIA’S ‘SUCCESS STORY’ IN POST-BUDGET ADDRESS
3 February 2022
Prime Minister Narendra Modi on Wednesday addressed Bharatiya Janata Party (BJP) workers over Union Budget 2022-23, which was announced by finance minister Nirmala Sitharaman a day prior.
Beginning his televised address with a word on the “unprecedented pandemic”, Prime Minister Modi said that new world order is now in the making, where many of the things from a pre-Covid society is going to change.
“Post-pandemic, things are meant to change,” he said. “India, too, is seeing itself in a new light. The world’s perspective of looking at India has also changed a lot these days. It is imperative for us to take the country forward at a rapid pace by strengthening our economy with the goal of achieving Aatmanirbharta (self-dependency).”
News Source : Hindustan Times
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FACEBOOK’S TOTAL USER BASE DECLINES FOR THE FIRST TIME IN 17 YEARS: REPORT
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SUBTLE HEART RENDERING COMEDY, SUFFICIENTLY DRAMATIC, GRIPPING CHAOS AND BITTERSWEET HUMOUR; A HIGH END COCKTAIL OF SCINTILLATING ENSEMBLE CAST AND CHARACTERS, WRITER- DIRECTOR CHIDAMBARAM ENDURES ALL STORMS TO DELIVER A WINNER
Ensemble casts have a unique place in Malayalam cinema. For decades, a good family drama in Malayalam has always been a good mix of pain, humour, characters, gripping plots and happy endings. Writer- Director Chidambaram delivers this fine balance in his debut film Jaaneman and creates a new age ensemble cinema for the routine film goer.
SATIRE DRIVEN, NON-MELODRAMATIC, FOCUSED, AND METICULOUSLY SCRIPTED; THIS MOVIE IS A WINNER THROUGH AND THROUGH!
How can one dislike a film that entertains throughout? In english, this movie title means ‘The engagement is on monday’. There is no surprise in the plot line; all of it is revealed in the title. The story is about the making of an engagement and the joys and troubles involved. Senna Hegde pulls off a regular story with exceptional craft. The highlight of the film is its climax. The climax offers no pomp and show, no tearful departures, no melodramatic breakdowns, no revolutions, no rebellions, no glamour, not even the promised engagement.This film is a must watch not because it is extraordinary, but because it is very ordinary, and the brilliance is entirely in the balance the filmmaker maintained throughout.
KURUP, THE MOVIE; DULQUER’S ATTEMPT TO CONQUER CINEMASCOPE FILMMAKING LEAVES AUDIENCES EMOTIONLESS
THIS PERIOD MOVIE COMES WITH COMPLETE GRANDEUR; GRAND SETS, STYLE, A GOOD CAST, LEAVES NO STONE UNTURNED IN PRODUCTION, BUT FAILS IN ITS EDITING AND COMPOSITION. DQ DOES NOT BECOME KURUP, KURUP BECOMES DQ.
Dulquer remains Dulquer, we recognize him and his methods in all his movies and he repeats himself once again. The actor lacks gravitas in his dialogue delivery and intonation. Can style and glamour make up for lack of method acting in a role like this? Did we expect more?