TENNIS PLAYER MARTINA NAVRATILOVA REACTS TO AMIT SHAH’S DEFENSE OF MODI
12 October 2021
Tennis player Martina Navratilova made headlines on Sunday when she reacted to a tweet quoting Amit Shah. Amit Shah, in an interview he gave to Sansad TV to celebrate 20 years of Prime Minister Narendra Modi in office, had defended the PM regarding his critics calling him dictatorial. The interview made headlines on Sunday as it came at a time when the country is witnessing the PM’s silence on the violence that occurred in Lakhimpur Kheri, which 4 farmers and 4 others, including a journalist.
The news tweet by Hindustan Times which said, “Union Minister Amit Shah said that Prime Minister Narendra Modi was not a dictator but the most democratic leader the country has ever seen”. This got tennis player Navratilova’s attention, and she was quick to quote tweet the news, captioning, “And for my next joke…”.
The tweet was shared by Indians who shared the same sentiment and some users even went on to call out the silence from Bollywood celebrities when it comes to the BJP government.
Toni News Desk
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SUBTLE HEART RENDERING COMEDY, SUFFICIENTLY DRAMATIC, GRIPPING CHAOS AND BITTERSWEET HUMOUR; A HIGH END COCKTAIL OF SCINTILLATING ENSEMBLE CAST AND CHARACTERS, WRITER- DIRECTOR CHIDAMBARAM ENDURES ALL STORMS TO DELIVER A WINNER
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SATIRE DRIVEN, NON-MELODRAMATIC, FOCUSED, AND METICULOUSLY SCRIPTED; THIS MOVIE IS A WINNER THROUGH AND THROUGH!
How can one dislike a film that entertains throughout? In english, this movie title means ‘The engagement is on monday’. There is no surprise in the plot line; all of it is revealed in the title. The story is about the making of an engagement and the joys and troubles involved. Senna Hegde pulls off a regular story with exceptional craft. The highlight of the film is its climax. The climax offers no pomp and show, no tearful departures, no melodramatic breakdowns, no revolutions, no rebellions, no glamour, not even the promised engagement.This film is a must watch not because it is extraordinary, but because it is very ordinary, and the brilliance is entirely in the balance the filmmaker maintained throughout.
KURUP, THE MOVIE; DULQUER’S ATTEMPT TO CONQUER CINEMASCOPE FILMMAKING LEAVES AUDIENCES EMOTIONLESS
THIS PERIOD MOVIE COMES WITH COMPLETE GRANDEUR; GRAND SETS, STYLE, A GOOD CAST, LEAVES NO STONE UNTURNED IN PRODUCTION, BUT FAILS IN ITS EDITING AND COMPOSITION. DQ DOES NOT BECOME KURUP, KURUP BECOMES DQ.
Dulquer remains Dulquer, we recognize him and his methods in all his movies and he repeats himself once again. The actor lacks gravitas in his dialogue delivery and intonation. Can style and glamour make up for lack of method acting in a role like this? Did we expect more?